Peter Breitenbach
is a sound artist whose work traverses sound installation, performative sound art and sound for theatre and dance. In his installations and performances he is investigating the relationship of movement and sound, through the development of software and hardware as part of sculptural objects and instruments.


Adolf Hitler, 
Mein Kampf -
Vol. 1&2

by Rimini Protokoll

Theatre | Sound Design | Sound Installation | Live Mixing


In this theater production “Rimini Protokoll sets out on the trail of Adolf Hitler’s inflammatory writings and attempts to fathom an explanation for the enduring myth of Mein Kampf.” [Source] 

Sound Design and Sound Installation

The sound design consists of atmospheres to support the dramaturgy, acoustic bumpers, sound to accompany the projections, manipulation of voices and sounding elements in the stage design.
Sibylla Flügge, Anna Gilsbach, Matthias Hageböck, Alon Kraus, Christian Spremberg, Volkan T error
Concept, Direction & Text: Helgard Kim Haug, Daniel Wetzel
Dramaturgy & Research: Sebastian Brünger
Stage & Video Design: Marc Jungreithmeier
Interaction Design: Grit Schuster
Music: Volkan T error
Technical Coordination & Lighting Design: Andreas Mihan
Assistance: Meret Kiderlen
Sound Design / Sound Technic: Peter Breitenbach
Production Assistance: Linn Günther
Company Management: Heidrun Schlege

Sounding Elements in the Scenography

Press Reviews

Adolf Hitler: Mein Kampf, Band 1&2 (Radioplay)

The radio play is neither a Hitler biography nor an exegesis of the inflamtory writings. It tells rather remarkable stories that deal with our present and our handling of history. And is thus a successful contribution in the attempt to demystify Mein Kampf. (Süddeutsche Zeitung, July 2016)

Perfromances (48 Shows)